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Frida Kahlo The self-portrait of monkey and parrot mk118
1942
Oil on canvas
54.6x43.2cm
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Frida Kahlo Portrait mk118
1942
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Frida Kahlo Still life mk118
1942
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Frida Kahlo The self-portrait artist and monkey mk118
1943
Oil on canvas
57x42cm
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Frida Kahlo Votive Card mk118
1943
Oil on canvas
19.1x24.1cm
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Frida Kahlo The monkey and i mk118
1943
Oil on canvas
81.5x63cm
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Frida Kahlo Bethink death mk118
1943
Oil on canvas
44.5x36.3cm
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Frida Kahlo The self-portrait of artist and monkey mk118
1932
Oil on canvas
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Frida Kahlo Portrait mk118
1944
Oil on canvas
76x60.5cm
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Frida Kahlo Flower and life mk118
1944
Oil on canvas
27.8x19.7cm
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Frida Kahlo The self-portrait of artist and monkey mk118
1945
Oil on canvas
60x42.5cm
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Frida Kahlo I hung the washsing out thereat mk118
1933-1938
46X50cm
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Frida Kahlo Chick mk118
1945
Oil on canvas
27.2x22.2cm
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Frida Kahlo The hospital mk118
1932
Oil on canvsa
30.5x38cm
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Frida Kahlo Two female nude in the jungle mk118
1939
Oil on canvas
25x30.5cm
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Frida Kahlo Abstract mk118
1949
Oil on canvas
70x60.5cm
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Frida Kahlo I was born mk118
1932
Oil on canvas
30.5x35cm
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Frida Kahlo The Portrait of father mk118
1951
Oil on canvas
60.5x46.5cm
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Frida Kahlo The self-Portrait of Emanation mk118
1947
Oil on canvas
50x39.5cm
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Frida Kahlo The still life having parrot and flag mk118
1951
Oil on canvas
28x40cm
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Frida Kahlo
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1907-54
Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.
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